THE FILM

A photo you can't take twice.

Kachak photos aren't filtered afterwards — you pick the look before the shutter, it's baked in as the frame saves, and the whole space has an ending. Here's what that means.

EPHEMERAL BY DESIGN

Photos vanish 60 days after the event.

A disposable camera isn't meant to live in your pocket forever. The gallery stays open for two months so everyone can save what they want — then the whole space is deleted for good.

CLOSED · 24 PHOTOS · VANISHES IN 12 DAYS
A blue-shuttered café in Kuala Lumpur, shot on Kachak, at full strength on day one. DAY 1
DAY 30
DAY 60

EIGHT FILM LOOKS

Every roll gets a look, not a filter.

The camera carries eight of them and opens on Kodak Gold. You choose before the shutter, never after — the look is baked into the frame as it saves, so the picture that lands in the gallery is the one you framed.

The lantern-hung gate at Kwai Chai Hong, Kuala Lumpur, on the ORIGINAL look: daylight colour, nothing added.ORIGINAL
The same gate on KODAK GOLD: warmer, the reds deeper and the shadows lifted gold.KODAK GOLD
The same gate on 1960s: faded, pink-shifted highlights over warm shadows.1960s
The same gate on BRASIL: a clean warm grade with a green lift through the midtones.BRASIL
The same gate on CINEMATIC: darker, blacks crushed, shadows pulled towards teal.CINEMATIC
The same gate on '80s FILM: muted and green-shadowed, the retro grade.'80s FILM
The same gate on URBAN GREY: heavily desaturated towards cool concrete.URBAN GREY
The same gate on URBAN GREY 2: the same muted grade, a touch warmer and more contrasty.URBAN GREY 2

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